Movie Review by: Michelle Tan
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I have been an avid fan of
Rupert Everett since he caught my attention in 'My Best
Friend's Wedding' opposite Julia Roberts. The only complaint
was that he was not featured more prominently. He is such a
scene-stealer with his suave, cool and sophisticated manner.
Ah, and that impeccable British accent. Sign, too bad he's
gay. For those not in the know, yes, he is gay!
Hence it is with much
anticipation to watch (and drool) over him in 'The Next Best
Thing' opposite Madonna, but it proved to be a letdown.
It is difficult to take Madonna
seriously, even though she has garnered some level of
respectability since her days of the 'Material Girl' and 'Like
a Virgin'. She had tried to break into filmdom with flops such
as 'Body of Evidence'. Surprisingly though, age seems to agree
with her as she showed some bit of talent in Evita.
However director John
Schlesinger erred big time in casting Madonna opposite Rupert
Everett in 'The Next Best Thing'. Try as much as she would,
she gave a wooden and unconvincing performance. She plays
Abbie, who is the best of pals with opposite Rupert Everett's
Robert. After being unceremoniously dumped by her boyfriend,
Abbie cries on the shoulder of her gay best friend, Robert.
After one drunken fling - finds herself unexpectedly pregnant
by Robert
Unconventional as it is, Abbie
and Robert live together to raise their son, remaining the
best of pals until Abbie met Ben (Benjamin Bratt). With
prospects of marriage and a move away from the home they now
share, the drama starts here. Determined to keep his son,
Roberts takes legal action and ended up losing more than he
bargained for, and Abbie turns into a villain, though not by
choice.
Rupert Everett is still the
scene-stealer here, he's funny, self-deprecating and
enormously sympathetic in the distinctive way that's become
his trademark. But he is pulled down by Madonna's weak,
strained and unconvincing performance. One has got to
appreciate that she is determined and tries hard, and perhaps
that is the downfall, for it shows through. Sad to say, she
just doesn't have the kind of charisma that can carry a movie
However, the movie has good
intentions and the element of surprise - it's never quite
clear where it's going at any given point. My point of
contention is: Watch this movie only if you are a fan of
Rupert Everett, and also if you are a fan of Madonna (are
there any out there anyway?), otherwise, you will find it
draggy and terminally slow, if you survive it.
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