Movie review by: Alvin James
Click here for pictures Starring: Samuel L. Jackson, Deborah
Unger, Jacqueline McKenzie, Michael Rapaport, Saffron Burrows Directed by Renny Harlin.
Produced by Akiva Goldsman. Written by Talley Griffith, Duncan Kennedy. Distributed
by Warner Brothers.
Renny Harlin breaks this rule all over the place in Deep Blue Sea, creating lots of
suspense around bad things that look like they might happen and then letting them happen.
This has nothing to do with profundity but rather a perversely cheerful nihilism, much
like watching a 7-year-old boy impulsively wipe out a battalion of toy soldiers with his
toy dinosaur.
In this story of genetically enhanced super sharks attacking the scientific team who
created them, Harlin is very effective with his first couple of shocks. During a procedure
to extract proteins from one of the shark's abnormally large brains (in hopes of finding a
cure for Alzheimer's disease, a limb is torn from an important member of the group. Later,
following a big, morale boosting speech by one of the film's principal characters, the
latter is suddenly swallowed whole and ripped apart at the bottom of the ocean.
After that, however, the unexpected is no longer unexpected, and Harlin has only the
script's cheekiness on his side. One by one, trapped characters on a sunken research
facility are mercilessly dispatched by lunging sharks, without any hint of irony or
tragedy. Granted, these people are stock creations akin to those in 1950s creature
features, a resourceful hero (Thomas Jane), an ambitious scientist (Saffron Burrows), a
perky assistant (Jacqueline McKenzie), an anxious technician (Michael Rapaport), a
decadent researcher (Stellan Skarsgard), a plucky crewmate (LL Cool J), and a natural born
leader (Samuel L. Jackson) with a dark secret.
Deep Blue Sea, which flirts with genre parody by using the sharks to punish these
people just for existing. But Harlin isn't interested in committing to such a pure idea,
his computer generated slaughters creates action and suspense of any kind. There is no
meaning to death in this film, and no meaning to extract from the deaths of characters who
have passion and vision and sex appeal and a capacity for redemption. Deep Blue Sea is
basically video-game ethics grafted onto an old, familiar story, and the result is rather
flattering and shocking.